Adam Nicolson

WINNER OF THE WAINWRIGHT PRIZE 2018WINNER OF THE JEFFERIES AWARD FOR NATURE WRITING 2017The full story of seabirds from one of the greatest nature writers. The book looks at the pattern of their lives, their habitats, the threats they face and the passions they inspire - beautifully illustrated by Kate Boxer.Seabirds are master navigators, thriving in the most demanding environment on earth. In this masterly book, drawing on all the most recent research, Adam Nicolson follows them to the coasts and islands of Scotland, Ireland, Iceland, Norway, and the Americas. Beautifully illustrated by Kate Boxer, The Seabird's Cry is a celebration of the wonders of the only creatures at home in the air, on land and on the sea. It also carries a warning: the number of seabirds has dropped by two-thirds since 1950. Extinction stalks the ocean and there is a danger that the grand cry of a seabird colony will this century become little but a memory.

Longlisted for the 2014 Samuel Johnson Prize for Non-Fiction (now the Bailie Gifford)?A thrilling and complex book, enlarges our view of Homer ? There?s something that hits the mark on every page? Claire Tomalin, Books of the Year, New StatesmanWhere does Homer come from? And why does Homer matter? His epic poems of war and suffering can still speak to us of the role of destiny in life, of cruelty, of humanity and its frailty, but why they do is a mystery. How can we be so intimate with something so distant??The Mighty Dead? is a magical journey of discovery across wide stretches of the past, sewn together by some of the oldest stories we have ? the great ancient poems of Homer and their metaphors of life and trouble. In this provocative and enthralling book, Adam Nicolson explains why Homer still matters and how these vital, epic verses ? with their focus on the eternal questions about the individual versus the community, honour and service, love and war ? tell us how we became who we are.

A TIMES BOOK OF THE YEARWhat is the nature of things? Must I think my own way through the world? What is justice? How can I be me? How should we treat each other?Before the Greeks, the idea of the world was dominated by god-kings and their priests, in a life ruled by imagined metaphysical monsters. 2,500 years ago, in a succession of small eastern Mediterranean harbour-cities, that way of thinking began to change. Men (and some women) decided to cast off mental subservience and apply their own worrying and thinking minds to the conundrums of life.These great innovators shaped the beginnings of philosophy. Through the questioning voyager Odysseus, Homer explored how we might navigate our way through the world. Heraclitus in Ephesus was the first to consider the interrelatedness of things. Xenophanes of Colophon was the first champion of civility. In Lesbos, the Aegean island of Sappho and Alcaeus, the early lyric poets asked themselves 'How can I be true to myself?' In Samos, Pythagoras imagined an everlasting soul and took his ideas to Italy where they flowered again in surprising and radical forms.Prize-winning and bestselling writer Adam Nicolson travels through this transforming world and asks what light these ancient thinkers can throw on our deepest preconceptions. Sparkling with maps, photographs and artwork, How to Be is a journey into the origins of Western thought.Hugely formative ideas emerged in these harbour-cities: fluidity of mind, the search for coherence, a need for the just city, a recognition of the mutability of things, a belief in the reality of the ideal - all became the Greeks' legacy to the world.Born out of a rough, dynamic-and often cruel- moment in human history, it was the dawn of enquiry, where these fundamental questions about self, city and cosmos, asked for the first time, became, as they remain, the unlikely bedrock of understanding.

Prize-winning author Adam Nicolson tells the story he was born to write ? the real story of England. It is the gentry that has made England what it was and, to a degree, still is. In this vivid, lively book, history has never been more readable.We may well be ?a nation of shopkeepers?, but for generations England was a country dominated by its middling families, rooted on their land, in their locality, with a healthy interest in turning a profit from their property and a deep distrust of the centralised state. The virtues we may all believe to be part of the English culture ? honesty, affability, courtesy, liberality ? each of these has their source in gentry life cultivated over five hundred years. These folk were the backbone of England.Adam Nicolson?s riveting new book concentrates on fourteen families with a time-span from 1400 to the present day. From the medieval gung-ho of the Plumpton family to the high-seas adventures of the Lascelles in the 18th-century, to more modern examples, the book provides a chronological picture of the English, seen through these intimate, passionate, powerful stories of family saga. The families have been selected from all over the country and range from the famous to the unknown. Some families are divided by politics , such as the family that took different sides in the Reformation; others destroy their inheritance through reckless gambling or investments . All of them are vivid depictions of the life and code of the gentry, and have left deep archives of family papers which the author has been able to use, often for the very first time.THE GENTRY is first and foremost a wonderful sweep of English history. It presents a convincing argument on what has created the distinctive English character but with the sheer readability of an epic novel.

LONGLISTED FOR THE WAINWRIGHT PRIZE 2022?A remarkable and powerful book, the rarest of things ? Nicolson is unique as a writer ? I loved it? EDMUND DE WAALFew places are as familiar as the shore ? and few as full of mystery and surprise.How do sandhoppers inherit an inbuilt compass from their parents? How do crabs understand the tides? How can the death of one winkle guarantee the lives of its companions? What does a prawn know?In The Sea is Not Made of Water, Adam Nicolson explores the natural wonders of the intertidal and our long human relationship with it. The physics of the seas, the biology of anemone and limpet, the long history of the earth, and the stories we tell of those who have lived here: all interconnect in this zone where the philosopher, scientist and poet can meet and find meaning.In this blend of fascinating, surprising ecology and luminous human history, Adam Nicolson gives an invitation to the shoreline. Anyone who chooses can look beyond their own reflection and find the marvellous there, waiting an inch beneath their nose.

SHORTLISTED FOR THE COSTA BIOGRAPHY AWARD 2019Wordsworth and Coleridge as you've never seen them before in this new book by Adam Nicolson, brimming with poetry, art and nature writing. Proof that poetry can change the world.It is the most famous year in English poetry. Out of it came The Ancient Mariner and 'Kubla Khan', as well as Coleridge's unmatched hymns to friendship and fatherhood, Wordsworth's revolutionary verses in Lyrical Ballads and the greatness of 'Tintern Abbey', his paean to the unity of soul and cosmos, love and understanding.Bestselling and award-winning writer Adam Nicolson tells the story, almost day by day, of the year in the late 1790s that Coleridge, Wordsworth, his sister Dorothy and an ever-shifting cast of friends, dependants and acolytes spent together in the Quantock Hills in Somerset.To a degree never shown before, The Making of Poetry explores the idea that these poems came from this place, and that only by experiencing the physical circumstances of the year, in all weathers and all seasons, at night and at dawn, in sunlit reverie and moonlit walks, can the genesis of the poetry start to be understood.What emerges is a portrait of these great figures as young people, troubled, ambitious, dreaming of a vision of wholeness, knowing they had greatness in them but still in urgent search of the paths towards it.The poetry they made was not from settled conclusions but from the adventure on which they were all embarked, seeing what they wrote as a way of stripping away all the dead matter, exfoliating consciousness, penetrating its depths. Poetry for them was not an ornament for civilisation but a challenge to it, a means of remaking the world.